Success has arrived in spades this summer for Devon author Linda Mitchelmore whose latest book Summer at 23 The Strand - her first with HarperCollins Digital - is currently being read on beaches everywhere. Linda was one of the first people to encourage me when I was making the transition from journalism to fiction and her determination to overcome adversity is what makes her such a great ally. Today I have asked her along to answer some questions about her career to far.
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Paignton Harbour, a view enjoyed by each character in the book. |
Welcome, Linda.
Already a well established and successful author, your first
book with HarperCollins, Summer at 23 The Strand,
is flying high in the Amazon charts. How does that feel?
I’m stunned, would be
the honest answer. I admit to not being hugely ambitious and write because I
want (have needed) to, so this is all a wonderful bonus.
How has your writing routine changed since Summer at 23 The
Strand was published?
Another honest answer
– there is so much PR to do/be part of that I’m actually doing a lot less, new
creative writing at the moment. I don’t beat myself up about it though … I tell
myself if it is writing-related then it counts as writing work!
Your new book is a series of short stories linked together
by a common theme – the beach chalet where all the characters spend their
holidays. Where did the idea come from?
We have a lot of beach
huts around here. Huts are different from chalets (as 23 The Strand
is) in that you can’t stop overnight and there is no electricity or water in
them. When my children were small I used to share a beach hut with a friend,
who owned hers, but the hut next door was a council-owned one and the tenants
changed weekly or fortnightly. I was always fascinated by how different each
lot of tenants were. Another prompt to write this book is the fact my mother
cleaned holiday flats on Saturday mornings when I was younger and I used to
help her when I was a teenager. Holidaymakers used to leave all sorts of stuff
behind – clothes, shoes, books, jewellery, items of food – and my mother had to
hand anything left behind to a supervisor, although it wasn’t unknown for her
to slip something useful into her shopping bag! But one Saturday, there was a
prettily-wrapped parcel on the kitchen table – ‘For the cleaner’. I don’t think
I’ll ever forget the look of sheer pleasure on her face that someone had left
her a present and not their unwanted items. So, two ideas that have been fairly
deep-rooted over a few decades, is the answer.
You have always been a prolific short story writer. Do you
think a book like yours could aid the re-emergence of short stories in today’s
magazines such as Woman and Woman’s Own?
I’d like to think so,
but the short story market is shrinking as we speak and the cynic in me thinks
it probably won’t be long before all magazines are on line. I very much hope
I’m wrong. Better news is that novels in the printed-on-paper form are making a
very healthy comeback.
You often say that you came to writing late in life. What
advice would you give someone, young or not-so-young, keen to be published?
Research the market
you want to write for and then just get on with it!
Which of your previous novels and novellas is your
favourite?
Gosh, that’s a bit
like being asked to choose between my children. But to answer the question, Red
is for Rubies (Choc Lit) is the book I would say comes from my soul- the
characters I created and the emotions I put down on paper. It’s the book that’s
done least well for me, which is a bit sad, but maybe now that Summer at 23 The
Strand is doing so well readers will look to see what else I’ve had published
and buy Red is for Rubies. All that said, the way Summer at 23 The Strand is doing right now it is fast becoming my new
favourite!
Tell us what your writing means to you and how your life
would be without it.
Writing for me was
(and still is) a safety net when I lost my hearing due to viral damage. In the
fictional worlds I create I – through my characters – can still hear. I have
auditory memory and also, now, a cochlear implant which has restored a level of
hearing for which I will be eternally grateful. Thank you Queen Elizabeth
Hospital, Birmingham, and Claire and Gemma in particular. I doubt I would have
become a writer if not for the immediate above, but it’s been a surprise, and
delight, to discover writing is something I’m not half bad at.
Is there any form of writing you haven’t tried yet but would
like to in the future – e.g. scriptwriting?
No, I don’t think so.
I would have to learn that craft and, possibly, start on the bottom rung of the
ladder and there would probably be a lot of rejections along the way before I
found my way to the top. I’ve had quite enough rejections, thank you!
Thank you for talking to me, Linda. If you could have one
wish granted, personally or professionally, what would it be?
Thank you for inviting
me to chat to you, Marilyn. My one wish? Can I only have one? Okay, so here
goes - the time, money, and staff to
have fresh sheets on my bed every day!
Linda was born and brought up in Devon, just a
stone’s throw from the sea. She is still within walking distance of the house
she lived in as a child and the hospital where she was born. A world traveller
she is not and it’s rare to go into town and not see someone she knows with
whom to stop and have a chat.
Linda’s best subject at school was always English
but becoming a writer never entered her head until she lost her hearing and
decided to take a writing course for ‘something to do’ while the rest of her
family watched TV or listened to music. She began with sending letters to
magazines – the ones that gave monetary prizes or decent gifts like cameras and
garden equipment and Schaeffer pens – mercenary little madam that she is! Short
story submissions to magazines followed (she has had in excess of 300 short
stories published, worldwide, now) and it seemed a natural step to have a bash
at writing a novel, guided by her mentor who doesn’t wish to be named but who,
for Linda, will always beummer at 23 The Strand is Linda’s
seventh published novel.
Linda does get dragged from her keyboard now and
then to ride pillion on her husband’s vintage motorbikes (yes, plural – he has
six), and walking (preferably near water) remains a joy and a regular
occurrence – pub lunches at the end of said walks are always a draw.
Family is very important to Linda and she now has
two grandchildren, Alex and Emily, who are such a joy and huge fun – it seems
easier watching grandchildren grow and develop than it did when she was a new
and very inexperienced mum to her own children. There are also two adorable
grand-dogs in the equation – Lola and Max – so family get-togethers are always
rather full on with fun and noise! If she can find the time she might write a
‘family’ novel .... watch this space.
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Linda at home in her garden |