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Tuesday, 18 October 2016

HOW TO BE A WOMAN OF SUBSTANCE


A Woman of Substance (Emma Harte Series Book 1) by [Bradford, Barbara Taylor]
Book cover courtesy of Amazon.co.uk
















I remember reading up on the career of one of my favourite authors whilst I was still in my twenties. It went something like this: student, café worker, gymnast, market gardener, therapist, athletics coach... long before I got to the end I wondered what this lady had ever done to make her a writer!

Yes, I was very naïve and no, I  hadn't heard of the University of Life. But those days came to mind this week when someone from my past work history appeared out of nowhere.

'I recognise that lady,' said one of my daughter's facebook friends after seeing my author photo online.  'She got me a job almost twenty-years ago, and I'm still here.'

This was someone I'd found a position for in my days as a recruitment consultant in the late nineteen nineties - one of the best jobs I ever had!

Better still, the one-time customer services advisor had now risen through  ranks of the  successful distribution company to become customer services and transport manager.

In my early days of recruitment I interviewed many  graduates looking for their first job after years of studying.  I usually recommended temporary positions in industry to  instil in them the work ethic.  One girl, I remember, told me she had ambitions to work for the Secret Service, but was quite happy to do any temporary work that came her way.  She was one of my best temps and eventually accepted a lucrative position with an international organisation.

Five years later I received a confidential letter from  MI5  asking if I could verify the candidate's work records.  I was happy to do so and, though I never got to hear the outcome, I'd always known this was someone determined to succeed.

Success is not so much about what you do as how you do it.  And that stint working behind the beauty counter in Boots might just come in handy when you're ready build your own cosmetics empire.

So if your children or grandchildren are keen  to learn how to work, try suggesting they work to learn. And for anyone hoping to become  A Woman of Substance just remember that Barbara Taylor Bradford once worked in the typing pool at the Yorkshire Evening Post.





Tuesday, 11 October 2016

Life in an English village - it might not be quite as you think.








A Village Affair
Anthony Horowitz speaking in the Daily Mail
A Village Affair courtesy of Random House

'There is nowhere more evil than an English village,' Anthony Horowitz told a packed audience in Gloucestershire this week.  'It breeds mistrust, suspicion and bitterness.'

Speaking at Cheltenham Literary Festival, the Midsomer Murders screenwriter added: 'I live in Norfolk so I should know.'

Mr Horowitz, who adapted the well-known novels by Caroline Graham for television, said cities weren't a suitable base for the genre.

Attributing the above quote to Sherlock Holmes, the writer said: English villages are special places where hatred and mistrust and suspicion and anger and bitterness have a natural place to grow. In a city, in London, your feelings get dissipated, it's too loud, there are too many people, life is too fast. In an English village it can all fester slowly.'

Hardly surprising that these thoughts come from the man who made small-time murder mysteries fashionable, but the truth is that English villages have  held fascination for writers through the centuries.

One novel that has stood the test of time is Joanne Trollope's A Village Affair - a wonderful observation  of human frailty with characters we can all recognise.

Another of my favourites is Lark Rise to Candleford, Laura Thompson's semi-autobiographical trilogy that transferred so well to the small screen.

Perhaps one of the best-loved chroniclers of British life was Rebecca Shaw who died in 2015 having sold a million copies of her novel The Village Green Affair and many others inspired by her   life in a small Dorset village.

Do you have a favourite novel about village life?


Monday, 3 October 2016

They all collaborated, didn't they?

Jenny Lecoat's story featured in The Times newspaper



What do you do if you want to share a family secret with the world? The answer, for  Jersey girl Jenny Lecoat, is turn it into a film.  Jenny's great aunt, Louisa Gould, was murdered by the Nazis for sheltering an escaped Russian prisoner in her home during thr German Occupation of the Channel Islands.  Another Mother's Son, starring Jenny Seagrove as Louisa,  will be released in March 2017.

A television scriptwriter for thirty years, Jenny  created storylines for high-profile  soaps such as East Enders and Holby City before she realised that she wanted to share her own  family's tragic past. Louisa Gould perished in the gas chambers at Ravensbruck for sheltering a Russian prisoner-of-war during the  Occupation of Jersey. The prisoner was known as Bill.

'She was pretty lax about security - she used to take him into town with her, she used to go to church with him,' Jenny told Simon de Bruxelles in The Times this week. Louisa was a widow who was running the village store in St Ouen in the west of Jersey when the Germans invaded in 1940. At first the Occupation was relatively benign as Hitler harboured hopes of a negotiated settlement with Britain. The Germans brought thousands of Russian prisoners captured on the Eastern Front who were put to work on concrete fortifications that still stand today.

Among them was Feodor Burriyiy, a pilot in in his early twenties, the same age as Louisa's son Edward, who had won a scholarship to Oxford but was killed serving with the Royal Navy. Burriyiy escaped within weeks of arriving but was recaptured. When he escaped again Louisa was asked by a neighbour if she could take him in.

Explained Jenny 'One of Louisa's sons had been killed and the other was in the RAF and she didn't know whether he was still alive and I think she was very lonely. She was a good-hearted person but I think there was a certain degree of naivety there.'

Louisa taught Bill English and altered her son's clothes to fit him. Bob le Seur, now ninety four, who helped to shelter Russian fugitives at the time, said of her 'She was a saintly soul but not as discreet as she should have been.'

When a neighbour sent a 'betrayal' letter to the Gestapo headquarters, Bob hid him in his lavatory until another safe place was found.

Bill was never recaptured. He returned to Russia after the war and kept in touch with his Jersey friends. Louisa, her brother and her sister Ivy Forster, who had also hidden a Russian prisoner-of-war, were tried by the Germans and sent to prison in France. Louisa was transferred to Ravensbruck in Germany and sent to the gas chambers, eight weeks before the camp was liberated.  She was 53.

'When you mention Jersey and the Occupation,' said Jenny, 'people say "They all collaborated, didn't they?" No, they didn't.There were a lot of people like my family who were involved in the so-called resistance. I had written soaps and comedies in the past but found what I really liked was fact-based so I went over in 2012 and spoke to people like Bob Le Seur.'

Jenny sent the screenplay to producer Bill Kenwright in 2014, 'and he was fascinated by the story.' The film had a budget of £2.5 million.

NB I can't wait to see the film.  My new novel, Occupying Love, set in the Occupation of Guernsey, includes a fictitious Guernsey Resistance called GINA based on an underground news service which really existed.