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Showing posts with label German Occupation of the Channel Islands. Show all posts
Showing posts with label German Occupation of the Channel Islands. Show all posts

Sunday, 12 March 2017

PAUL McGANN AND THE STORY THAT KEEPS COMING BACK

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If you, like me, are a fan of  actor Paul McGann and you're interested in the Channel Islands, read on!
Guernsey and Jersey have hit the news again this week as the Occupation of the Channel Islands is recreated in two separate productions for stage and screen.
Gabriel, a play by Moira Buffini set in Guernsey during World War Two, is currently touring Britain starring Paul McCann and Belinda Lang.
The play, described by the New York Times as 'a tense tale of wartime intrigue and romance,' describes what happens when a mystery man is washed up on the shore, and reflects the continuing fascination with this unique part of our history.
Another Mother's Son, starring Jenny Seagrove and Ronan Keating, set in Nazi-occupied Jersey, is based on the true story of Louisa Gould who hid a Prisoner-of-War in her home.
Interestingly, the screenplay is written by Jenny Lecoat, Gould's great niece.

Meanwhile my own novel  about One Woman, Two men and the Impossible choice between love and duty -  shows just how much the islanders were prepared to sacrifice for their freedom.





Wednesday, 8 March 2017

THE WAR THAT NOBODY WON

What would have happened if Germany had won World War Two? What would it have been like for Britain to be occupied by the enemy? These are the questions posed by SS:GB - a new drama on BBC1 that everyone is talking about. The book is based on Len Deighton's hugely successful alternative history novel of the same name, published in 1978.

But this story isn't new. The British residents of the Channel Islands will tell you that  the Nazis  occupied British soil from 1940 - 1945. They don't need to watch an account of it on television because they still remember history being made. I know because my grandparents lived though the Occupation of Guernsey: they sent their 10-year-old son on the last evacuee boat to Britain and never saw him again.

In my novel Occupying Love I have written a fictional account of the Occupation based on real events. I hope it reflects the pain and anguish  suffered by so many islanders; the cold, the hunger and the ever-present threat of death. But I also like to thnk it might represent a change of heart.

My grandmother never recovered from losing her son but  she still had the grace to say that a mother's grief will always be the same, whichever side you are fighting for.

Maybe it's time we changed our attitude to war,  when the horror it represents is transmitted into our living rooms every single day. Maybe, just like my grandmother, we should all pray for peace.


Thursday, 16 June 2016

If I had a trumpet I'd blow it....


I never was very good at taking photographs (see below) - or at saying thank you.  But today I'm doing both at the news that my new historical  novel Occupying Love, released for pre-order yesterday, is  steadily climbing  the Amazon rankings.

Set in  Guernsey in World War Two, Occupying Love is the story of Lydia le Page, a feisty student who returns to her Guernsey home in 1940 on the day the harbour is bombed by the Nazis. Within hours she is trapped on the island as the five-year Occupation begins. Two men enter Lydia’s life: Martin Martell, the handsome but mysterious rector and Major Otto Kruger, the ruthless German Kommandant who falls under her spell. When Martin disappears Lydia discovers a secret from her past that changes everything and leaves her with  an impossible choice.  Should she choose  the man she loves or try to save the island?

I was born in Guernsey and spent many hours listening to my grandparents' stories of  life under German rule and the bravery of those whose passive resistance lifted the morale of the islanders.  What stayed in my mind was the  underground news agency which distributed news of Allies successes all over Guernsey and, more than 70 years later, has still not been fully recognised.
Though the book is a work of fiction, it's  a tribute to all the brave people who lost their lives on Guernsey whilst trying to bring hope to others.
Occupying Love is dedicated to David Richard Brown, the uncle I never met, who died at the age of 13 in 1940. David was one of many evacuees from the Channel Islands who moved with their schools, and without their parents, to Britain in 1940.  David's story was told to me by my grandparents who lived through the  five-year-long Occupation that changed so many lives.



Occupying Love is available to download from June 24, 2016 and to pre order at:

Amazon.co.uk here
Amazon.com here
Fuzzy but it's true


Tuesday, 31 May 2016

One woman, two men and the impossible choice between love and duty.


I'm really excited to reveal the cover of my new novel, Occupying Love, set in the Occupation of Guernsey in World War Two.  Available to pre-order on Amazon from June 24.


June 1940

With the Nazis poised to invade Guernsey in World War Two, feisty student Lydia Le Page returns home to rescue her parents, but as she arrives the harbour is bombed and she’s trapped on the island as the German Military Occupation begins.

Two very different men enter her life: Martin Martell, the handsome but mysterious rector of Torteval Church and Major Otto Kruger, the ruthless German Kommandant, who soon falls under her spell.

When Martin disappears Lydia discovers a secret from her past that threatens her whole future. Will she be able to keep it from the enemy? Or is it too late? This is a story about love, loss and the unique identity that makes us who we are.


Monday, 23 November 2015

OCCUPYING LOVE




My second historical novel Occupying Love, due out next year, is set in the German Occupation of the Channel Islands during World War Two. In this excerpt heroine Lydia Page returns to Guernsey on a sunny day in June 1940 unaware that her life is about to change forever.



Chapter One 
June 1940


The shock of that day never left her; it invaded her dreams and shadowed her waking moments. She could see herself now, carrying an old brown suitcase down the ship’s gangplank, her chocolate brown hair tousled by the fresh Guernsey breeze. In the year since she’d left the island nothing had changed. Fishing boats rocked from side to side, slapping waves against the harbour walls, yacht sails shimmered in the early evening sun, fine wisps of cloud skittering across the skies like pockets of hand-stitched lace.

 Up ahead, the old tomato lorries wound their way like a wooden snake towards the cargo ships bound for England. Her papa had grown tomatoes in the greenhouses behind their home for as long as she could remember. Nowadays he didn’t need the income, but the twelve-pound fruit baskets – or ‘chips’ as the locals called them –  were his pride and joy. Feeling exhilarated at the thought of seeing her parents again, Lydia headed for the bus terminus, stopping to rest on a bench by the harbour wall.

It started as a low rumble, growing steadily louder till it turned into a roar. Startled, she shaded her eyes from the sun and stared up into the sky. Three planes came into view, bright lights shining from their wings like the eyes of a giant eagle. A wave of raw fear rose up from her stomach. Someone shouted, ‘Enemy aircraft’ and her limbs froze. Lydia dropped to the ground, her face hitting the dirt as she landed. Bullets ricocheted over her head as she cowered in terror while the bombs plunged with sickening accuracy on to the harbour.

 A piercing scream brought Lydia back to reality – it had come from her own lips. All around her people were crying or standing motionless in shock as blood dripped on to the pavements while air raid sirens, woken from their reverie, shrieked in protest. Coughing, she gasped for air, dense now with smoke, and tried to roll over.

‘You OK, Miss?’ A policeman loomed overhead.
 She fingered a cut on her face. ‘I think so. What happened?’

‘The Jerries have bombed the tomato lorries. Must ’ave mistaken them for tanks.’ He gripped her arm. ‘Can you get up?’

 Nodding, she let him pull her off the ground.

‘I’d get out of here, if I were you. Fast as you can. It’s not safe.’

‘But Papa, what about Papa?’ A vision of her father lying dead in the rubble flashed in front of her eyes. ‘He’ll be in one of those lorries…’

‘If he’s out there now, Miss, there’s nothing you can do for him. You’d best find shelter in case the Jerries come again.’

 Her suitcase long forgotten, Lydia headed for the dockside where a lone mother sat in the debris, cradling her daughter in the shelter of the harbour wall. The child was silent but the woman sobbed as smoke rose into the sky like a giant funeral pyre.

 Lydia stumbled on, ignoring the shouts of well-meaning people; ‘come, shelter with us, Miss,’ the roar of fire engines and the sickening smell of burnt flesh. Where was her father…?

A familiar face appeared through the smoke. ‘Tom –Tommy!’ She’d known his family for years. ‘Have you seen Papa?’ She gestured towards the smouldering lorries.

‘The Jerries got their target, alright, but there’s plenty of folk sheltered under the pier. No-one can get through.’ Tommy Tostevin scratched his head. ‘What on earth are you doing here?’

‘It doesn’t matter now. I’m here and that’s the end of it. What can I do?’

‘Go home, my girl. Go to your mother. It’s going to be a long night.’

Lydia nodded, too numb to cry. She stumbled on down the esplanade towards the Weighbridge, the familiar granite tower now oozing smoke. Next to it stood a burnt out car with one headlight clearly visible amongst the wreckage. Staring up at the clock face, she saw that the hands had stuck at two minutes to seven.

Just then an ambulance came to a halt, its rear doors opened towards St Julian’s Avenue. With a burst of adrenalin she headed towards it and jumped inside.

‘You injured, Miss?’ The white-coated doctor looked up as she landed beside him.

‘No, I’m fine. It’s just that I know a bit about, well, medicine, and I wondered if I could help?’

‘There’s lots of injured people down there. It’s not a pretty sight. We could do with another pair of hands, though.’ He glanced at her. ‘Are you sure you’re up to it?’

She nodded. ‘Just tell me what you want me to do.’

‘Patch up your face first.’ He handed her a box of dressings. ‘Then follow me.’

They edged their way back to the burning lorries, the roar of engines filling the air: the enemy planes had returned. Lydia ducked and covered her head with the palms of her hands, her heart pounding louder than the shells that shook the ground beneath them.

She shut her eyes but the sight of blood mingling in the gutter with the juice of crushed tomatoes would stay with her forever.